by Josh Bowman. Josh Bowman is a professional fundraiser, story-teller, comedian, and blogger. He has worked and consulted in Vancouver, New York, and now Toronto for almost a decade. Josh also runs and writes for tenthingsivelearned.com, and improvises around Toronto, including regular shows with Opening Night Theatre.
I am writing this post as a response to an article that Jasmine Peterson wrote in response to an article I wrote in a response to an article that Mark Radcliffe originally wrote. Jasmine much more eloquently addresses her concerns with my piece than certain other writers who were (thank heavens!) equally concerned. My hope is that this post will create a giant, meta black hole that will collapse the internet in on itself, leaving nothing but the remains of charred servers.
My synopsis of Jasmine’s thesis is taken (roughly) from her article, as follows:
“While I love satire, I do think that satire in and of itself can be extremely problematic…I think this is one of the biggest dangers of this literary form, because too many people interpret these statements at face value, without realizing the author’s true intentions.”
Her thesis is interesting, as it to some extent echoes other discussions which have been happening online. The question becomes, what happens to a joke (and joke-teller) when the audience isn’t in on a joke? When do you stop being ironic, and begin embodying traits you previously identified as repellent? Read more