jessica mason mcfadden

On Jodie Foster: Let’s All Come Out About Our Discomfort with Coming Out:

fosterby Jessica Mason McFadden

When it comes to coming out, I’ve been there, done that, probably hundreds of times. To me, there’s nothing to it. I’m one of the least closeted people you will ever meet. My erotic identity is as much a part of my representative identity as is my name, age, hometown, or date of birth. If you meet me, you’ll meet it. Except I won’t call it “It” – I’ll give it a name.

Hi. I’m Jess. I’m twenty-eight, I live in the Midwestern United States, I am a graduate student, I am one of two mothers of two precious daughters, I’m a poet, and if I could I would carry a basil plant in my purse. Yep, I said two mothers. I’m a lesbian.

That’s right: sometimes I have to repeat myself or clarify the two-mothers detail. Does it always feel good and liberating to out myself on someone who isn’t expecting it? No, not always. Sometimes I get that twisted, bewildered expression in response. Or, worse, a total lack of comprehension. Most of the time, however, this beautiful part of myself slides out as naturally as would any other. Who doesn’t like sharing a joyful and important part of their lives with people they meet? I hear about other people’s spouses and kids all the time. I have the same inclination to spread the love.

And the thing is, most people have this inclination: to be oneself and share oneself freely. We’re born ready to be led by our inclinations as we form or take apart our identities. So what happens? Why do so many of us, whether we identify as asexual, bisexual, polyamorous, homoromantic or queer, experience discomfort and fear when it comes to sharing? Because so many of us are taught at a young age that we must fit in some small identity box or another in order to be accepted and loved. And who doesn’t want to be loved? But even more than that, who doesn’t want to be herself, to roam happily and freely and not have to fear ridicule, rejection or harm?

Everything I have shared here is what you already know – it calls upon the common sense within you. We just want to be ourselves, move at our own paces and be accepted. Simple enough, right?

Wrong.

Unfortunately, as humans, we’re far more complicated and far too contradictory for that. It seems, instead, that we’re more often than not conflicted, anxious or divided when it comes to, well, most anything. And in particular when it comes to human sexuality – orientation, identity, and choice. Heck, we’re so spread all over the place that we’re even opinionated and divided about the timing and manner in which someone, one single person, comes out of the closet. Since when did we ever judge a white, male heterosexual for the way in which he shared his heterosexuality? I don’t seem to recall any news coverage on that issue.

I do, however, know about social media news coverage on the issue of Jodie Foster’s Golden Globe moment of ??? Of what? Of Glory? Of Relief? Of WellIt’sTheHellAboutTime? I’m sure we can come up with several thousand labels for it.

Twitter and Facebook were loaded with opinions and responses. Even I chimed (no, Tweeted) in with a heartfelt but bogus public pat on the back for Ms. Foster. Like she needed my approval. Even if she did, the larger question is: why it was that I needed to give it to her? Read more

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Contributors Pick the Best of 2012

Person on podiumHappy New Year, everyone! As is our tradition, I asked the Gender Focus contributors about some of their highlights from how they spent the past year, and here’s what they came up with:

How to Survive a Plague PosterFavourite Movie:

 

Ashli Scale: Prometheus

Chanel: I have two: How to Survive a Plague is a documentary about the activism around the AIDS crisis. I went in expecting to spend two hours analyzing direct action tactics, and left feeling devastated, but weirdly hopeful.

From the Black, You Make Color is a documentary (yes, I only watch documentaries) about a beauty academy in Tel Aviv and its students and staff, all folks on the periphery of Israeli society. It’s an important, insightful piece about identity and class.

Jessica Mason McFadden: I’ll go with the one movie I saw: Stanley Kubrick’s Lolita.

E. Cain: The Odd Life of Timothy Green. I didn’t watch many movies this year, but this one is a super cute family film.

Favourite Book Read in 2012:

 

Sarah Jensen: Suburban Nation: The Rise of Sprawl and the Decline of the American Dream. A fascinating look into curb heights, street widths, and the importance of parallel parking. Really interesting to learn how crucial city planning is to building strong communities.

E. Cain: Prisoner of Tehran, A Memoir by Marina Nemat. My boss gave me this book for Christmas, a powerful memoir written by a strong woman - I highly recommend!

Chanel Dubofsky: The Middlesteins by Jami Attenberg. If Jami Attenberg writes it, I will read it. The Middlesteins is her latest book, about a Midwestern Jewish family trying to avoid, deal with and make sense of each other. It’s startling, meaty and gorgeous.

Jessica Critcher: Why Have Kids? by Jessica Valenti. The title is all snark– it’s a rhetorical question. It’s a great read for someone happily living child-free (who occasionally finds herself defending that lifestyle choice). It’s also great for moms because it gets past all of the “mommy wars” crap that the media keeps creating and circulating. My mom loved it too– we recommend it to all of the moms we know.

Issue/Cause That Most Inspired You:

indigenousrightsrevolution

 

Chanel: Occupy, Occupy, Occupy.

Jarrah: #IdleNoMore. It’s been incredibly powerful to see a grassroots movements led by Indigenous people for Indigenous rights spring up and spread so quickly across Canada. It’s an almost unprecedented opportunity for non-Indigenous Canadians to put action behind our words by standing behind and supporting First Nations people in Canada.

Sarah: Food. In the last year I’ve learned so much about the impact that food has on my own health and the health of our environment.

Jessica Critcher: This is always hard! But since I have to pick, I would say the WAM! (Women, Action and the Media) campaign to build a grassroots direct action network for gender justice in the media. They had an Indie-Go-Go campaign over the summer and raised more than $10,000 to build a new state of the art website. Pretty legit.

Ashli: I’ve been most active in the Body Acceptance movement by doing body image presentations in schools.  I’ve been so inspired by Kate Harding’s blog “Shapely Prose”, which closed up shop in 2010 but you can still access the great resources on it like Kate’s visual BMI Project.        Read more

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Top Posts of 2012

fireworksAs mentioned earlier, I’m away this week so just have a few short posts & videos going up, but if you’re bored and looking for a longer read, maybe check out one of our top posts from the past year:

  1. The Ups and Downs of Being a Feminist on Pinterest – Turns out you can carve out feminist spaces on Pinterest. Here are the pros and cons you should know going in.
  2. Geek Girl Con 2012 on Game of Thrones - I recap a Geek Girl Con panel that addressed the question: “Is Game of Thrones sexist?”
  3. Halloween 2012: Options Other Than the “Sexy ___” Costume – This year’s Halloween post includes five creative costume ideas to help feminists looking for alternatives to the “Sexy (insert noun here)” costumes in stores.
  4. Feminism, Beyond and Within: A Review of Brave – Jessica Mason McFadden talks about how the movie Brave depicts mother-daughter relationships.
  5. Sex-Selective Abortion Isn’t a “Gotcha” for Feminists – Sex-selective abortion is the latest issue anti-choicers are trying to use as a wedge to pass legislation restricting abortion in Canada and the US. This article puts the issue in perspective.
  6. New Twitter Guide for Feminists – Updated guide to the must-follow accounts and hashtags for feminists on Twitter.
  7. Feminism F.A.Q.s: What Have Women Been Told They Can’t Do? – I launched my Feminism F.A.Q.s video series this year and this video, on what women have been told they can’t do through history, was far and away the most popular.
  8. 5 Signs You’re Arguing with an Incognito Anti-Choicer – Josey Ross deconstructs the most popular anti-choice rhetoric.
  9. Violence Sells? Time to Say “Enough” To Twisted Advertisers – Working with Battered Women’s Support Services (Vancouver) back in April, we shared a week-long series of posts by Joanna Chiu on media representations of violence against women. This post on violence against women in advertising was the most popular.
  10. Buying Presents for Other People’s Children: Actually Not Super Difficult – Jessica Critcher suggests some more gender-neutral options for people buying toys for others’ children.

 

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Feminism, Beyond and Within: A Review of Brave

Elinor and Merida in Brave

Elinor and Merida

by Jessica Mason McFadden

Brave, Disney-Pixar’s newly released fantasy adventure film, features two female protagonists struggling within the strictures and dynamics of 10th century life in the Scottish highlands. Before seeing the film, I was told it was about a kick-ass princess.

After seeing the film, I read feminist and other reviews that essentially made similar claims: that the film succeeded at, failed at or partially succeeded at portraying a kick-ass princess. But Brave, while possessing its kick-ass princess moments, is not simply about a princess. It’s about relationships, the central one being a mother-daughter relationship. I did not take away a linear or single-character focus from this film; what I took away was a lesson on communication – an in depth exploration, with sociological and psychological underpinnings, of the ways we relate to ourselves and each other.

Bravery is not something over which feminists, warriors, feminist warriors or any other single group has ownership; bravery ethereally belongs to humanity as a sort of magical force that propels us toward action and progress. The film was complex, confusing and off-track at times because of it, but necessarily complex because that is the nature of relating. Since the film was not just about the journey of ONE character, but about the journey of relating, a spectral approach was essential.

One of the major feminist feats of this film was its (at times chaotic) inclusivity. One cannot, or at least it seems so to me, consider the state of one of the protagonists without also considering the state of the other.

Pixar’s mostly-man team did do something different with this film – they took the heteronormative institution of marriage and used it as the vehicle through which personhood and belonging could be explored. While marriage and tradition are the surface issue with which Queen Elinor and Princess Merida struggle, their struggles and their bond with one another are much deeper than that. Read more

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Watching “Vegucated” With a Feminist Eye

by Jessica Mason McFadden

I just watched Vegucated, a documentary that follows three meat-eating New Yorkers through their journeys into veganism – a lifestyle that – for a variety of environmental, ethical and dietary reasons – involves abstaining from using animal products.

Veganism is a response to the pitfalls of consumption. I cried a lot while watching Vegucated. And I mean, a lot. I do not consider myself to be an animal lover, but I have compassion for all of the creatures of the earth. However, and it’s a big however, I find that wherever I fall on the continuum of consumption, I always end up a hypocrite. After all, what is the difference between smashing a fly that won’t leave my kitchen and chopping the head off of a chicken? To me, they lie on different points of a continuum of consciousness by virtue of the size of their brains.

The only reason humans feel conscientious about animal consumption is because we relate to animal consciousness. We see ourselves in their eyes and their will to survive. We feel empathy for their consciousness by imagining ourselves in their shoes.

I do not take a firm stance on the human consumption of non-human animals. What I take issue with is the manner and practice of killing. I believe the earth we inhabit is a place in which consumption is the central cause of life and death. According to my theory, which is primitive at best, the chicken hatches an egg for creation’s sake and the lemon tree produces a lemon for the same reason. The lemon carries the lemon seed to grow the lemon tree population. The hen hatches her egg to grow the chicken population. All for the purpose of life.

Vegucated touches on some important elements of progressive humanism: awareness and high ethical standards. I relate to the film through a perspective of feminist and humanitarian morality. As a feminist, I will be the first to proclaim that the ways of the hunter are not for me. I am a gatherer, and I think the way of the gatherer is the way of the future.

I believe it is humanity’s responsibility to set high standards based on the most advanced theory available.  I have no doubt that in twenty years we will have more comprehensive values and be better able to shape human society to match that knowledge and those values. Vegucated addresses where we are now and how the meat industry operates at this moment in time. Read more

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My Father Met Eve Ensler and they both wanted to tell me that I Am an Emotional Creature

by Jessica Mason McFadden

Eve Ensler, meet my father. Father, meet Eve. That’s the way I would have introduced them if I were present when they met. But he encountered her on his own. I only knew about it because I received a copy of Ensler’s Best-Selling book, I Am an Emotional Creature: The Secret Life of Girls Around the World in the mail. That was back when the book first came out in 2010. I was shocked that my father would send me the book, and I wondered if he was being sarcastic. As I studied the front and back covers, I figured out that he was serious.

I paged through it but didn’t read it. I put the book in my nightstand drawer and left it there until yesterday. I’m sure many of you have books that are waiting for you to come and spend a little quality time with them. If you have any inkling that you are an emotional creature, do something rash and get and read this book. Give an hour of your time – that’s all you will need – to develop your emotional intelligence and remember your inner girl and all her superpowers. I want that for you, I want you to be a tour de force in the world. Maybe my father wants that for me, too.

I Am an Emotional Creature may be an easy read on your aging eyes, but it makes the point that girlhood is never easy. Growing Up Girl, in any part of the world, is difficult. Ensler knows girls are survivors, and she speaks to girls in girl speak. Ensler’s language won’t wrap around the canopy of you, if you are a craft-enthusiast, as would a woody vine. Her words, instead, will punch you and make you uncomfortable:

It could have been your baby

I was carrying against my skin

strapped on like that

sucking life out of me

but it was a bomb

A girl’s reality, a girl telling her own story of survival, and a juxtaposition of life and death, all carried by a girl in a struggle to take back her own power. The words of girls, through Ensler’s translation, will leave you feeling naked (much in the way that girlhood is stripped of the clothes she is forced to wear). In the presence of authenticity and vulnerability, you might feel some critical, adult force within you judging and telling you that the teenage girl-voice is rubbish. Read more

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The Two Faces of Time: Answering “Are You Mom Enough?”

Mom Enough CoverJessica Mason McFadden writes, studies and mothers in Western Illinois, where she lives with her wife and daughters. Jess graduated from Western Illinois University in 2006 with a B.A. in English. She will be pursuing a graduate education in English next fall. Jess identifies as a queer feminist and manages a wrecking blog at masonismymiddlename. blogspot.com.

Visceral reactions are where it’s at when it comes to Time Magazine’s cover story, “Are You Mom Enough?” While the topic of attachment parenting is relevant and in need of intelligent discourse, it’s the cover that’s making headlines. It isn’t the issue of attachment parenting that concerns the majority, it’s the gut reaction it produces in them. Does a provocative image have the power to educate? Does it create a space in which learning might occur or does it close the space entirely? These are the questions raised by this kind of moment of mass hysteria. Since the provocative image in the issue of Time most certainly elicits a response that speaks to feminism, it is important that feminists use this as an opportunity to contribute to, and thus shape, the conversation. Read more

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